mr tom’s Top 25 of 2016: best blues

Because 10 just isn’t enough: My top 25 blues and near-blues (that is, old-school R&B/soul and roots rock and roll) albums of last year. I won’t rank them except to let you know that my favorite record of 2016 came out of Austin, TX, with a bunch of tremendous songs, fine singing and playing, and a sound 100% all its own:

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Greg Izor & The Box Kickers – The 13 14

The other 24, alphabetically:
Alabama Mike – Upset The Status Quo
Lurrie Bell – Can’t Shake This Feeling
Dylan Bishop – The Exciting Sounds of the Dylan Bishop Band
The Blue Shadows
John Blues Boyd – The Real Deal
Jason Elmore &  Hoodoo Witch – Champagne Velvet
Golden State Lone Star Blues Revue
Dennis Gruenling – Ready or Not
James Hunter Six – Hold On!
Mitch Kashmar – West Coast Toast
Guy King – Truth
Don Leady & His Rockin’ Revue – Poppy Toppy Gone
Nick Moss Band – From the Root to the Fruit
The Paladins – Slippin’ in Ernesto’s
Eli “Paperboy” Reed – My Way Home
Sugar Ray & The Bluetones – Seeing is Believing
Jim Suhler & Monkey Beat – Live at the Kessler
Trickbag –  With Friends Vol 2
Tony Vega Band – Black Magic Box
Wee Willie Walker & The Greaseland All Stars – Live! in Notodden
Nick Waterhouse – Never Twice
Raphael Wressnig & Igor Prado – The Soul Connection
Nancy Wright – Playdate!
Sven Zetterberg – Something for Everybody

I have to add one – I completely forgot about

Bobby Radcliff – Absolute Hell

I could certainly have kept going and included the latest from Kurt Crandall, Big Jon Atkinson & Bob Corritore, William Bell, John Primer, the Bo-Keys, Tinsley Ellis, John Long, Matthew Skoller, Lil’ Ed, Bob Margolin, and any number of other excellent albums, but I had to draw the line somewhere. Some of those CDs would have made the list yesterday, and might again tomorrow. The lesson: There’s a lot of beautiful music out there if you know where to look. I stand by all of these albums – great stuff. Get ’em if you ain’t got ’em, and buy another copy for a friend.

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That Eli “Paperboy” Reed album is really special. Pops Staples meets James Brown, or something like that. It’s on fire.

I’m going to keep separate a pair of absolutely essential, sizzling platters full of rare and previously unreleased music from two blues masters:

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B.B. King – Here’s One You Didn’t Know About

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Rusty Zinn – Last Train to Bluesville

When I wrote “essential,” I meant it.

Hit me with any complaints or “Right On!”s you might have.

Nikki Hill with Deke Dickerson and the Bo-Keys • Soul Meets Country

2013 Deke Dickerson Nikki Hillsoulmeetscountry

Nikki Hill & Deke Dickerson

Soul Meets Country

Major Label CD/7-inch + download/download, 2013

nikkihillmusic.com

www.dekedickerson.com

www.thebokeys.com

This four track EP is slight when measured in playing time, but from the perspective of the hardcore roots music aficionado, it is a summit meeting that rivals Destroy All Monsters in earth-shaking significance. Deke Dickerson is one of the most enthusiastic and accomplished proponents of American music: as a performer, producer, promoter, fan, collector, scholar, author, and more, he does it all. Nikki Hill is, hands down, the most exciting new artist in the true rock-and-soul variety of R&B; her calling card Here’s Nikki Hill (2013) and relentless touring have devastated audiences all over the planet. And Scott Bomar’s Bo-Keys, heavy with legendary alumni of the Stax and Hi bands, are dedicated keepers of Memphis’s deep soul tradition who happen to make vital new music. Combine the three ingredients, shake, and dig the results on Soul Meets Country. First roll back the carpet, ‘cause you know it’s going to be a party.

Two Hill-Dickerson duets open the program. First is the Otis Redding-Carla Thomas chestnut “Lovey Dovey.” Dickerson obviously doesn’t sing with Redding’s intensity (who does?), but his sweet, unguarded delivery carries ample emotional force, and matches up nicely with the raw edge of Hill’s voice. Their banter has a lilting quality that works well against the push-pull of the rhythm section, which takes the song at a leisurely tempo. The feel is relaxed and greasy, due in large part to Howard Grimes’s emphasis on the backbeat versus the four-to-the-bar snare hits of the frenetic original.

Next comes “Feelin’s,” made famous by Conway Twitty and Loretta Lynn, here given a new coat of paint. Stripped of the original’s prominent steel guitar and played a few clicks of the metronome faster, the tune is driven by a surging horn chart, syncopated interplay between Grimes’s snare and Bomar’s bass, and the tambourine of Jack Ashford–a sound familiar from countless classic Motown productions. Dickerson twangs his way through a brief, lovely guitar solo, and his relaxed vocal harmonization with Hill is perfect.

Rounding out Soul Meets Country is a pair of individual numbers. “Struttin’” percolates to life with a steady bass pulse and stop-time choruses. Hill is at her sassiest here. It’s as tough as anything ever waxed, and the sound, with Bomar’s Wurlitzer piano and some very Steve Cropper-esque guitar parts by Dickerson figuring prominently in the arrangement, is reminiscent of Wilson Pickett’s classic Memphis and Muscle Shoals recordings. Dickerson revisits his “Lady Killin’ Papa” as the country funk workout “Lady Killa.” Motown ace Dennis Coffey’s wah-wah guitar is the essential sonic ingredient here, along with Archie Turner’s organ and the killer rhythm section-horn interplay that is all over the disc.

In a rare instance of truth in labeling, Soul Meets Country offers just that: four songs, Dixie-fried to delicious perfection. Fans of the Bo-Keys, Deke Dickerson, or Nikki Hill will absolutely love this one, and anyone with even a passing interest in American roots music ought to hear it. Highest recommendation.

TOM HYSLOP

I bought this CD from http://www.dekedickerson.com/shopping/merch3.php

and it is now available from the world’s greatest retailer of our kind of music: http://www.bluebeatmusic.com/