Mr Tom’s Top Blues CDs of 2017

Because 10 just isn’t enough: My top blues and near-blues (that is, old-school R&B/soul and roots rock and roll) albums of last year. I won’t rank them except to let you know that my favorite record of 2017 was a tossup between this Hi-Style Records release by Jake La Botz, loaded with a bunch of tremendous songs, fine singing and playing, and a sound 100% all its own (production by Jimmy Sutton):

Jake

Jake La Botz – Sunnyside

and this outstanding, idiosyncratic, stone cold blues CD from Austin, Texas’s almost-under-the-radar all-star band, The Peacemakers, featuring Mike and Corey Keller, Johnny Bradley, Willie Pipkin, and Greg Izor:

peacemakers22

The Peacemakers

And now, 30 or so other albums you’ll want to have if you dig Real American Music, as it’s sometimes called, in alphabetical (not ranked) order, as they’re pretty much all indispensable, and I am enthusiastic about every one of them. (Cover art follows the list.)

Adrianna Marie & Her Roomful of All-Stars – Kingdom of Swing

Andy T Band feat. Alabama Mike – Double Strike

Chris Armour Quartet – Tele-Porter

B.B. and The Blues Shacks – Reservation Blues

Don Bryant – Don’t Give Up On Love

Rockin’ Johnny Burgin – Neoprene Fedora

The Cash Box Kings – Royal Mint

Chris Cain

Chris Corcoran Band – Blues Guitar Grooves

Robert Cray & Hi Rhythm

Daniel De Vita, Netto Rockfeller, JM Carrasco – Third World Guitars

Eastside Kings

Rick Estrin & The Nightcats – Groovin’ in Greaseland

Billy Flynn – Lonesome Highway

Various Artists of Greaseland – Howlin’ at Greaseland

Casey Hensley featuring Laura Chavez – Live

Egidio “Juke” Ingala & The Jacknives – Switcharoo

Greg Izor and Marco Pandolfi – Homemade Wine

Nathan James – What I Believe

Marquise Knox – Black and Blue

Miss Freddye – Lady of the Blues

Konstantin Kolesnichenko – Minor Differences

Martin Lang – Ain’t No Notion

The Love Light Orchestra featuring John Németh – Live from Bar DKDC in Memphis, TN!

Bia Marchese – Love Me Right

The Paladins – New World

John Primer & Bob Corritore – Ain’t Nothing You Can Do

Laura Rain & The Caesars – Walk With Me

Patrick Recob – Perpetual Luau

Chris Ruest & Gene Taylor – It’s Too Late Now

The Red Devils – Return of the Red Devils

San Pedro Slim – In Times Like These

Joakim Tinderholt – Hold On

Jimmie Vaughan Trio featuring Mike Flanigin – Live at C-Boy’s

Wee Willie Walker & The Anthony Paule Soul Orchestra – After A While

Monster Mike Welch & Mike Ledbetter – Right Place, Right Time

Peter Ward – Blues On My Shoulders

Kim Wilson – Blues & Boogie Vol 1

Oscar Wilson – One Room Blues

 

Adrianna Marie

Andy T

Chris Armour Quartet - Tele-Porter - cover

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Don Bryant

Rockin Johnny

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CBK

Corcoran

CrayPassport

Eastside

Estrin

Billy

Casey H

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What I Believe

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LLO

Bia

Paladins

Primer

LRC

Recob

Ruest Taylor

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sps

Tinderholt

Howlin'

 

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WWW

Ward

Welch

Wilson Kim

Wilson Oscar

 

 

 

 

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Top Ten of 2013…Plus

Ordinarily I resist making Best Of lists, except mentally, in part because I don’t view music as a competition, and in part because my choices undergo frequent change. But when David Mac asked me to contribute a Top Ten to his Blues Junction site, I gave it my best shot. My choices and those of a number of other listeners were revealed here:

http://bluesjunctionproductions.com/daves_top_ten_list_of_top_ten_lists

The ten CDs I listed as my favorites of the year:

1)    Magic Sam – Live at the Avant Garde, June 22, 1968 (Delmark)

2)    Holland K. Smith – Cobalt (Ellersoul)

3)    Ari Borger & Igor Prado -Lowdown Boogie (Chico Blues)

4)    Nikki Hill – Here’s Nikki Hill (Deep Fried Records)

5)    John Primer & Bob Corritore – Knockin’ Around These Blues (Delta Groove Productions)

6)    Trickbag – Trickbag with Friends Vol. 1 (Magic)

7)    4 Jacks – Deal With It (Ellersoul)

8)    Lou Pride – Ain’t No Love in This House (Severn)

9)    Barrelhouse Chuck & Kim Wilson – Driftin’ From Town to Town (The Sirens)

10)   Finis Tasby / Kid Andersen – Snap Your Fingers (Bluebeat Music)

In making the list, I initially wrote down the first group of CDs that came to mind. There were more than 10. Forced to make cuts, I reluctantly omitted the next group–but any of them could have been in my top 10. Here, then, are the rest of my favorites of 2013, in no particular order…

Lurrie Bell, Blues in My Soul (Delmark)

Laura Rain & the Caesars, Electrified (LRC)

The James Hunter Six, Minute By Minute (Fantasy)

Candye Kane with Laura Chavez, Coming Out Swingin’ (Vizztone)

Adrianna Marie & Her Groovecutters, Double Crossing Blues

Sugaray Rayford, Dangerous (Delta Groove Productions)

Birdlegg, Birdlegg (Dialtone)

Don Leady, Hillbilly Boogie Surfin’ Blues

Gene Taylor, Roadhouse Memories (Bluelight Records)

Jake LaBotz, Get Right (Charnel House)

Tinsley Ellis, Get It! (Heartfixer)

What a great year for blues, soul, and real rock ‘n’ roll music!

Double Crossing Blues

adrianna marie

http://www.adriannamarieandhergroovecutters.com/

My liner notes for a wonderful new record, scheduled to be available on 27 July.

Where her previous album with L.A. Jones, Spellcaster, took a wide-angle shot, presenting Adrianna Marie in various blues settings and offering her takes on rockabilly and country standards, Double Crossing Blues zooms in for a tight focus on the uptown R&B and elegant blues styles that reached their zenith in the decade after World War II. The glamorous images this music evokes, at least through the Vaseline-smeared lens of our historical remove, are those of late nights in posh nightclubs; sleek motor cars; strong drinks; and nattily dressed men and women, either in love or playing at it.

The cocktail lounge blues of the Three Blazers described this lush life with a knowing weariness. The vintage records treasured by Adrianna Marie and Her Groovecutters took a different path, tending to favor a livelier sound, performed by larger bands. The Groovecutters interpret it masterfully. Jones, a premier electric guitarist inspired by Albert King, and long the leader of his own Blues Messengers, here plays with period-correct tones and a technique perfectly suited to the earlier style. Larry David Cohen supplies wonderful piano playing and a huge harmonica sound. Superb charts by Lee Thornburg, a veteran of Tower of Power and Etta James’s Roots Band, feature his trumpet and trombone, and the saxophones of Ron Dzuibla.

These days, when every female vocalist seems to be vying for Koko Taylor’s throne, what a delight it is to hear a beautiful, natural voice. Adrianna Marie sings without affectation but with all the expressiveness, sass, and class of stylists like Dinah Washington, Little Esther, and Helen Humes. From the rocking R&B of Esther’s “Cherry Wine” to a lowdown treatment of Humes’s “I Ain’t In The Mood,” she is splendid. In front of the spectacular, big band version of Louis Jordan’s swinging, minor “Is You Is Or Is You Ain’t My Baby,” or the reading of Billie Holiday’s jazzy “Sugar,” Adrianna Marie is pure sophistication. In duets with Jones–on Big Maybelle’s “That’s A Pretty Good Love” and on the lovely ballad, originally by Johnny Otis and Little Esther, that gives Double Crossing Blues its title­–she is by turns steamy and reserved. In every setting and mood, Adrianna Marie and the Groovecutters, who provide expert ensemble work and memorable solos, and step out on their own on Freddy King’s “Sad Night Owl,” are picture-perfect.

Tom Hyslop