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Cyril Neville • Magic Honey

cyril neville

Cyril Neville

Magic Honey

Ruf Records, 2013

http://www.rufrecords.de

Cyril Neville became a household name (in hip households, anyway) as a member of The Meters and the youngest Neville Brother. More recently, the singer-percussionist has enjoyed popularity with Galactic and the all-star R&B/rock ensemble, Royal Southern Brotherhood. Neville’s latest solo album, Magic Honey, is naturally heavy on the sounds of his native New Orleans, with elements of rock, blues, and soul seasoning the funky roux.

The title track, a bluesy stomp outlined by Cranston Clements’s crisp guitars and the superbad tandem of Carl Dufrene (bass) and “Mean” Willie Green (whose daredevil drum fills on this song alone are worth the price of admission), splits the difference between Howlin’ Wolf and Junior Wells in full James Brown mode. (If the brash harmonica player is named, I apologize: I can’t find the credit.) The lyric, delivered with gusto by Neville, extends the sexually charged King Bee/Little Queen Bee metaphors popularized by Slim Harpo. “Blues Is The Truth,” an uptown blues ballad with a serpentine bass line and a dark undercurrent, is another bluesy highlight.

“Swamp Funk” updates creamy, ‘70s-style New Orleans syncopation, and features two of that city’s preeminent musical products: its composer Dr. John (organ) and Allen Toussaint (piano). “Funky butt is what they want,” indeed! “Another Man” brings back the funk, with Neville’s percussion and Toussaint’s piano suggesting Caribbean undertones and Clements’s guitar break developing a singing, Santana-esque tone.

But many of the album’s funky cuts have a hard, contemporary edge. Paul Butterfield’s “You Can Run But You Can’t Hide” gets an angular interpretation with another showy Clements solo, and Walter Trout’s sputtering guitar lead fits his “Running Water” like a glove. “Working Man,” with RSB bandmate Mike Zito on guitar, is rocked up so that it barely resembles Otis Rush’s original recording, yet retains its appeal through the wah, distortion, and flash. Zito also guests on “Money And Oil,” a simple, riff-based song predicated on an insistently pounding bass line and the guitars’ funky scratch and whining slide.

Other songs step outside the Magic Honey formula with varying degrees of success. Where Eugene Gales’s Zeppelin-esque “Something’s Got A Hold On Me,” a slow, heavy blues rocker, seems out of place, the slightly faster “Still Going Down Today” is softened agreeably by a slinkier groove, dramatic chorus, and soulful touches. Warren Haynes’s “Invisible” is excellent, sparse deep funk, pointing up the interplay between Norman Caesar’s organ and the rhythm section. And “Slow Motion” not only captures a sunny island mood, it is keenly aware that melodic American soul music was a dominant influence on Jamaican ska and reggae. It is a fitting closer to a strong, wide-ranging record from Cyril Neville, one of the funkiest humans on the planet, and a son of America’s most musically cosmopolitan city.

TOM HYSLOP

I received this CD for review from Mark Pucci Media.

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About mrtom1

More than a lifelong fan, I am a degenerate music fiend. I was a staff writer and contributing editor for the print version of Blues Revue for more than 15 years, and serve in the same capacity for the excellent new publication Blues Music Magazine (bluesmusicmagazine.com). I have contributed to the newsletters of the Golden Gate Blues Society and the Detroit Blues Society, and freelance, writing artist biographies, liner notes, and all types of promotional materials. I support the Sean Costello Memorial Fund for Bipolar Research (http://seancostellofund.org/) and The Blues Foundation (www.blues.org/), and encourage you to learn more about these important causes. Please support live music and buy CDs by your favorite artists! If you care to submit your CD, DVD/Blu-Ray, book, or other media for consideration and possible coverage, please contact me at tahyslop[AT]gmail.com.

4 responses to “Cyril Neville • Magic Honey

  1. tom braak ⋅

    Tom. there are many high school classmates that I would recognize on the street, but you are not one of them. I love the blues but know next to nothing about the groups. This “Magic Honey” review takes me back more then twenty years, when I wished for a song that would take the New Orleans passion and mix it with, off all things, barbershop music. I’m not a writer of music, but if I were… The harmonies of the barbershop with the soul of blues…

    Love where you ended up, but never would’ve guessed that you’d be here.

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  2. mrtom1

    Hey, Tom, thanks for stopping by. There are a lot of terrific vocal groups out of New Orleans, but I confess I can’t think of one that incorporates the sort of four-part harmonies and the specific old-time feel that I think of when someone mentions barbershop music. (Red-and-white striped jackets and straw boaters come to mind, too.)

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  3. Hans ⋅

    Hi Tom… er, MrTom! Did you find out the harmonica player/ According to a review on the Blues Bytes site (http://www.bluenight.com/BluesBytes/ph1113.html) it’s Jumpin Johnny Sansone. Never heard of him – should I be embarrassed? -Hans

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    • mrtom1

      Thanks, Hans! Sansone has been around for a long time – in fact, he sang with Ronnie Earl back in the 80s – and has released a number of strong albums. But there is no credit on Magic Honey…wonder how they knew over on the other page.

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