Nikki Hill & Deke Dickerson
Soul Meets Country
Major Label CD/7-inch + download/download, 2013
This four track EP is slight when measured in playing time, but from the perspective of the hardcore roots music aficionado, it is a summit meeting that rivals Destroy All Monsters in earth-shaking significance. Deke Dickerson is one of the most enthusiastic and accomplished proponents of American music: as a performer, producer, promoter, fan, collector, scholar, author, and more, he does it all. Nikki Hill is, hands down, the most exciting new artist in the true rock-and-soul variety of R&B; her calling card Here’s Nikki Hill (2013) and relentless touring have devastated audiences all over the planet. And Scott Bomar’s Bo-Keys, heavy with legendary alumni of the Stax and Hi bands, are dedicated keepers of Memphis’s deep soul tradition who happen to make vital new music. Combine the three ingredients, shake, and dig the results on Soul Meets Country. First roll back the carpet, ‘cause you know it’s going to be a party.
Two Hill-Dickerson duets open the program. First is the Otis Redding-Carla Thomas chestnut “Lovey Dovey.” Dickerson obviously doesn’t sing with Redding’s intensity (who does?), but his sweet, unguarded delivery carries ample emotional force, and matches up nicely with the raw edge of Hill’s voice. Their banter has a lilting quality that works well against the push-pull of the rhythm section, which takes the song at a leisurely tempo. The feel is relaxed and greasy, due in large part to Howard Grimes’s emphasis on the backbeat versus the four-to-the-bar snare hits of the frenetic original.
Next comes “Feelin’s,” made famous by Conway Twitty and Loretta Lynn, here given a new coat of paint. Stripped of the original’s prominent steel guitar and played a few clicks of the metronome faster, the tune is driven by a surging horn chart, syncopated interplay between Grimes’s snare and Bomar’s bass, and the tambourine of Jack Ashford–a sound familiar from countless classic Motown productions. Dickerson twangs his way through a brief, lovely guitar solo, and his relaxed vocal harmonization with Hill is perfect.
Rounding out Soul Meets Country is a pair of individual numbers. “Struttin’” percolates to life with a steady bass pulse and stop-time choruses. Hill is at her sassiest here. It’s as tough as anything ever waxed, and the sound, with Bomar’s Wurlitzer piano and some very Steve Cropper-esque guitar parts by Dickerson figuring prominently in the arrangement, is reminiscent of Wilson Pickett’s classic Memphis and Muscle Shoals recordings. Dickerson revisits his “Lady Killin’ Papa” as the country funk workout “Lady Killa.” Motown ace Dennis Coffey’s wah-wah guitar is the essential sonic ingredient here, along with Archie Turner’s organ and the killer rhythm section-horn interplay that is all over the disc.
In a rare instance of truth in labeling, Soul Meets Country offers just that: four songs, Dixie-fried to delicious perfection. Fans of the Bo-Keys, Deke Dickerson, or Nikki Hill will absolutely love this one, and anyone with even a passing interest in American roots music ought to hear it. Highest recommendation.
I bought this CD from http://www.dekedickerson.com/shopping/merch3.php
and it is now available from the world’s greatest retailer of our kind of music: http://www.bluebeatmusic.com/